Utterly unschooled in adversity

 

Besides, the more favoured a man is by Fortune, the more fastidiously sensitive is he; and, unless all things answer to his whim, he is overwhelmed by the most trifling misfortunes, because utterly unschooled in adversity. So petty are the trifles which rob the most fortunate of perfect happiness!

Boethius - The Consolation of Philosophy (around 524 AD)


It is easy enough to see this problem in our political and media elites. The comfortable charlatans and bungling rectifiers of petty trifles who tell us how to live our lives. Utterly unschooled in adversity, they still claim the right to guide the lives of others.

There is a soft, soggy futility about it all, a futility which pervades the public arena. It has become a place of mendacious silliness like a vast frenetic meeting room of whispers, waving hands and raised voices where comfortable people mill around waiting and pointing and waiting again for something which never arrives as they said it would. Until...

Until something, but who knows? Whatever we do, the fatuity seems destined to go on and on until we finally reach a certain critical level of feckless absurdity, that tipping point we've been promised for so long.  

An obligation

From Wikipedia

Then, again, who does not see how empty, how foolish, is the fame of noble birth? Why, if the nobility is based on renown, the renown is another's! For, truly, nobility seems to be a sort of reputation coming from the merits of ancestors.

But if it is the praise which brings renown, of necessity it is they who are praised that are famous. Wherefore, the fame of another clothes thee not with splendour if thou hast none of thine own. So, if there is any excellence in nobility of birth, methinks it is this alone—that it would seem to impose upon the nobly born the obligation not to degenerate from the virtue of their ancestors.

Boethius - The Consolation of Philosophy (around 524 AD)

The corncrake cried too

A few years ago, a cold and foggy December morning found me walking back from an early medical appointment. The streets were quiet. A low winter sun rose behind a huge old beech tree towering over a scrubby piece of land. Shafts of brilliant hazy sunlight gleamed through icy fog and leafless black branches to create a scene of the most extraordinary beauty.

I stopped for a moment, wished I had a camera but walked on because there is no capturing these moments, no way to possess them.

Does the beauty of the fields delight you? Surely, yes; it is a beautiful part of a right beautiful whole. Fitly indeed do we at times enjoy the serene calm of the sea, admire the sky, the stars, the moon, the sun. Yet is any of these thy concern? Dost thou venture to boast thyself of the beauty of any one of them? Art thou decked with spring's flowers? is it thy fertility that swelleth in the fruits of autumn? Why art thou moved with empty transports? why embracest thou an alien excellence as thine own? Never will fortune make thine that which the nature of things has excluded from thy ownership.

Boethius - The Consolation of Philosophy (around 524 AD)

More recently.
The street outside falls strangely silent under a brilliant summer sun. Nothing moves, no sounds, not even birds. Breathless and timeless - even the clock seems to have slowed its relentless tick. A curiously beautiful stillness but only for a moment.  A car approaches. The spell is broken.

Natural beauty is like that – impossible to grasp beyond momentary impressions. Impossible to own or take away its alien excellence. 

Then a corncrake began to call in the meadow across the river, a strange, dispassionate sound, that made him feel not quite satisfied, not quite sure. It was not all achieved. The moon, in her white and naked candour, was beyond him. He felt a little numbness, as one who has gloves on. He could not feel that clear, clean moon. There was something betwixt him and her, as if he had gloves on. Yet he ached for the clear touch, skin to skin — even of the moonlight. He wanted a further purity, a newer cleanness and nakedness. The corncrake cried too.

D.H. Lawrence – The Overtone (1933)